I'm not usually a big fan of live albums but one can't just dismiss "The Who". I mistakenly tried listening multiple times to the Special 40th anniversary edition of this on Spotify which turned out to be a massive opus of multiple concerts. (I particularly have no interest in listening to the entire Tommy rock opera.) Anyway, paired down to something closer to the original ~ 14 song playlist the Live at Leeds album becomes much more approachable (and enjoyable).
Young Rascals | Groovin' (1967)
The whole album has that lazy afternoon feel. Groovin' with a lot of soul feel. Put this on next time you're basking in a blanket in the sunshine.
Nick Drake | Five Leaves Left (1969)
Haunting sparse acoustic guitar and voice lightly backed up by pretty orchestrations. This troubled artist never received the recognition he deserves before ending his short life. Give him a listen now.
Absolutely phenomenal
Trombone Shorty
Trombone Shorty at Mondavi Winery, Napa Valley (Aug 2015)
Lambert, Hendricks & Ross - How have I never heard of them?
There are only two albums on Spotify, but this is some great jazz vocals. The trio was active 1957-1964.
Queen | Sheer Heart Attack - their brilliance confirmed
"We Will Rock You" was one of my first favorite rock songs.* I ordered the album "News of the World" on 8-Track with my 16 albums for 1 cent introductory offer with my Columbia Records Club membership. (Remember that club?)
"Sheer Heart Attack" confirms their brilliance: "Brighton Rock" does rock. I hereby dub it my new favorite Queen song. At least until I listen to another Queen album.
* I must admit that I was pretty annoyed by its constant companion song "We Are the Champions".
Covers of "Take On Me"
Music videos used to matter. I remember being fascinated back In 1985 by a-ha's video for "Take On Me" which featured a unique melding of animation and live action sequences. While a catchy tune, the video made more of a mark on me than the song. That is, until I heard some of these covers.
Soft Machine | Third (1970)
It still sounds cutting edge and experimental 45 years after release. Creative, nontraditional chords and instrumentation suggest a world so far removed from Top 40 that it would take a rocket ship to get there.
Dirty Projectors | Bitte Orca (2009)
I'm really pleased to be introduced to the Dirty Projectors and this album. The falsetto and guitar licks in the upper register often stylishly touch on an Eastern or Indian feel. Nice harmonies and female background vocals compliment Dave Longstreth's crooning male lead. Rhythms, melodies, and instrumentation are quirky but very successful.